The skirt that's so simple it's brilliant. I sometimes find skirts too fussy for my taste, so I created the most pared-down version of this garment–nothing less and nothing more than exactly what was needed. It has enough length to show some leg but also provides modest coverage, a generous hem to add luxe weight and body to the fabric, and just enough gathering to add fullness and movement at the hip but not become bulky at the waist.
Our favorite, essential tee. The Georgia is one of the first styles I designed, and the pattern was drafted with adaptive fit in mind. The shoulder seam and sleeve without an armscye look intentional on all shoulder breadths, the substantial cuff wings out and draws clean lines on any arm, and the cropped length follows the rule of thirds, creating proportions that work on almost everybody.
A mashup of two of our most well-loved, classic styles. The timeless simplicity of the Georgia meets the contemporary utility of the Kara Snap Top. Our iconic, boxy Georgia silhouette feels architectural while maintaining a soft, fluid feel. Designed with adaptive fit in mind, the shoulder seam and sleeve easily accommodate various shoulder breadths, and the substantial cuff flatters any arm shape. Medium-duty snaps are inside the placket, so they're invisible. Easy and accessible to open, sturdy enough to not pull apart on accident.
There are a handful of garments that I wear over and over again, and this tunic captures the best elements of those staples—an easy, unfussy fit, half sleeves that stay out of the way, flattering mid-thigh length, and one big pocket to catch all the miscellany I end up with throughout the day. The cut skims the body loosely, making it ideal for layering in the fall and winter. It's my favorite tunic to wear to the studio—when you're working, comfort is key, but you still want to look put together. The Harper has an interesting and avant-garde appeal, and it would only be improved by drips and smears of paint or a dusting of flour from the kitchen.
This is the tunic I dream about every year in the middle of summer when the heat is a tangible force in the air. The low, free armholes, deep-v back, and wide trapeze panels hang away from your body the way you want everything to when your skin is damp and the sun is high. This piece embodies movement and represents breeze. The slightest movement will billow the fabric in a captivating, delicious swish. The Harlow is meant for days spent puttering around the garden or for nights spent strolling the city.
The Long Sleeve Kara Snap Top eschews traditional stand collars, visible buttons, and sleeve cuffs with pleating. What remains is the suggestion of this classic garment and its spirit, but with all the comfort, ease, and simplicity that are the hallmarks of ES clothing.
The Sleeveless Kara Snap Top eschews traditional stand collars, visible buttons, and sleeve cuffs with pleating. What remains is the suggestion of this classic garment and its spirit, but with all the comfort, ease, and simplicity that are the hallmarks of ES clothing.
The Linn Tee is one of our simplest pieces, and sometimes simple is best. The structural cut lets the fabric do the heavy lifting - the beautiful folds and trapeze swing look right at home with pin-straight pants at a gallery opening, or over a gauzy dress on a sticky weekend afternoon. It will only soften and improve with age, a beautiful benefit of clothing meant for a life fully-lived.
