The Petra Crop is one of our earliest styles. A simple, classic crop top meant for summertime with an elegant boat neckline. Imagine weekend getaways to the coast or the mountains.
The wide leg version of our classic Clyde Work Pant. They have our signature, ultra-functional, crescent-shaped side pocket and a fairly straight cut through the leg. The perfect alternative to our Florence if you love the wide leg but need heftier pockets.
A short based on one of our most popular, practical pant styles: the Clyde. The sizing for this style will be consistent with our most current edition of the Clyde Work Pant.
The Sleeveless Kara Snap Top eschews traditional stand collars, visible buttons, and sleeve cuffs with pleating. What remains is the suggestion of this classic garment and its spirit, but with all the comfort, ease, and simplicity that are the hallmarks of ES clothing.
A short based on one of our favorite, oldest pant styles: the Florence. This release of the Florence Short will include the addition of nearly invisible in-seam pockets.
The Long Sleeve Kara Snap Top eschews traditional stand collars, visible buttons, and sleeve cuffs with pleating. What remains is the suggestion of this classic garment and its spirit, but with all the comfort, ease, and simplicity that are the hallmarks of ES clothing.
There are a handful of garments that I wear over and over again, and this tunic captures the best elements of those staples—an easy, unfussy fit, half sleeves that stay out of the way, flattering mid-thigh length, and one big pocket to catch all the miscellany I end up with throughout the day. The cut skims the body loosely, making it ideal for layering in the fall and winter. It's my favorite tunic to wear to the studio—when you're working, comfort is key, but you still want to look put together. The Harper has an interesting and avant-garde appeal, and it would only be improved by drips and smears of paint or a dusting of flour from the kitchen.
Our favorite, essential tee. The Georgia is one of the first styles I designed, and the pattern was drafted with adaptive fit in mind. The shoulder seam and sleeve without an armscye look intentional on all shoulder breadths, the substantial cuff wings out and draws clean lines on any arm, and the cropped length follows the rule of thirds, creating proportions that work on almost everybody.
The Linn Tee is one of our simplest pieces, and sometimes simple is best. The structural cut lets the fabric do the heavy lifting - the beautiful folds and trapeze swing look right at home with pin-straight pants at a gallery opening, or over a gauzy dress on a sticky weekend afternoon. It will only soften and improve with age, a beautiful benefit of clothing meant for a life fully-lived.
